Siin toimub Arnold Schönberg 150 Eestis toimuvate ürituste planeerimine.
Eestis toimuvate Arnold Schönbergi 150. sünniaastapäeva ürituste kohta kogub informatsiooni Eesti Arnold Schönbergi Ühing koostöös Austria saatkonnaga Tallinnas, avaldades info veebilehel https://schoenberg.ee/
Palun sisesta enda korraldatava Arnold Schönbergi teemalise kontserdi, sümpoosioni, näituse või muu ürituse kohta infot planeerimislehele või saada meilile schoenberg@schoenberg.ee
AJAKAVA
Kevad 2024[]
Arnold Schönbergi ideed. Veebiarutelud[]
https://meet.jit.si/schoenberg
Arnold Schönbergi 150. sünniaastapäevale pühendatud veebiarutelud Schönbergi ideedest on järelvaadatavad youtube'i mänguloendis
- SCHÖNBERG 150. Arnold Schönbergi ideed https://youtube.com/playlist?list=PLJaIEMxRxBt3Rp7szMJyTumgDiauXzz0e&si=FXJBjwe7x6Nk52qa
Schönbergi ideid: arenev variatsioon, kõlavärvimeloodia, dissonantsi emantsipatsioon, dodekafoonia, Schönbergi kompositsiooniõpetus, Muusikaliste Eraettekannete Ühing, nooditrükimasin, maalikunst
P 3.3.2024 kell 17.00. Sissejuhatav arutelu[]
Videosalvestis: https://youtu.be/BvKs9YLZtsc
Palun osalejatel lugeda Schönbergi artiklit Neue Musik, veraltete Musik, Stil und Gedanke https://mickindex.sakura.ne.jp/schonberg/schb_SuG_gm.html
Ettepanek: Gerhard Lock - Schönbergi Zangen-Metaphor (näpitsa e tangi metafoor, mida ta tollal vaimustunult käsitles), millega ta seletab stiili ja idee vahet ja tõelise idee jõulisust... T66 03, 04 (Viini arhiivi nr) Veraltete und Neue Musik, oder Stil und Gedanke II. und III. Fassung saksa keeles manuskript 1933 https://www.schoenberg.at/index.php/en/archiv-2/texte, https://archive.schoenberg.at/writings/transcription.php, https://monoskop.org/images/8/84/Schoenberg_Arnold_Style_and_Idea.pdf
Zangen = Pliers inglise keeles
"New Music ~ Outmoded Music ~ Style and Idea" lk 50
In comparison with all our developments in mechanics, a tool like a pair of pliers might seem simple. I always admired the mind which invented it. In order to understand the problem which this inventor had to overcome one must imagine the state of mechanics before its invention. The idea of fixing the crosspoint of the two crooked arms so that the two smaller segments in front would move in the opposite direction to the larger segments at the back, thus multiplying the power of the man who squeezed them to such an extent that he could cut wire--this idea can only have been conceived by a genius. Certainly more complicated and better tools exist today~ and there may come a time when the use of the pliers and other similar tools may become superfluous. The tool itself may fall into disuse, but the idea behind it can never become obsolete. And therein lies the difference between a mere style and a real idea.
Gerhard Lock: viitasin 2020 artiklis Schönbergile, st põhimõttelisele Uue muusika teemale: Departing from Schoenberg's (1950) pedagogical criticism of 'pseudo-historians' and 'New Music', [...] https://www.researchgate.net/publication/345600627_The_New_and_the_Old_as_music_history_categories_-_some_educational_implications
Samateemalises eestikeelses 2020 artiklis on mul veidi vähem Schönbergist kirjas ja veidi teise nurga alt (lk 61 -62) https://www.researchgate.net/publication/348003699_Uus_ja_vana_muusikaloo_kategooriatena_The_New_and_the_Old_as_music_history_categories
Chat
17:04
Andrus Kallastu: https://mickindex.sakura.ne.jp/schonberg/schb_SuG_gm.html
Andrus Kallastu: https://parnu.fandom.com/et/wiki/Arnold_Sch%C3%B6nberg_150#Arnold_Sch%C3%B6nbergi_ideed._Veebiarutelud
Gerhard Lock: https://www.schoenberg.ee/?sitesig=SB&page=SB_030_Tegevus&subpage=2024_Arnold_Sch__oumlnberg_150
Gerhard Lock: Schönbergi ideid: arenev variatsioon, kõlavärvimeloodia, dissonantsi emantsipatsioon, dodekafoonia, Muusikaliste Eraettekannete Ühing, nooditrükimasin
Gerhard Lock: https://sonaveeb.ee/search/unif/dlall/dsall/idee/1
Gerhard Lock: saksakeelses tekstis "Gedanke", Gedankereichtum
Gerhard Lock: Küsimus, kas see veebis saksa versioon on tõlgitud inglise keelest või on sks manuskriptist, kahtlustan, et on tõlge...
Gerhard Lock: osutus: https://xn--snaveeb-10a.ee/search/unif/dlall/dsall/osutus/1
Gerhard Lock: https://hegel.net/gedanke/
Gerhard Lock: Mart: Schönberg kui Hegeliaan, tuleb küsida Hegeli spetsialistilt, nt Joonas Hellermalt, kuidas tõlkida Gedanke eesti keelde...
Gerhard Lock: Jeder Ton, der einem Anfangston hinzugefügt wird, macht dessen Bedeutung zweifelhaft. Wenn zum Beispiel G auf C folgt, kann das Ohr nicht sicher sein, öb dadurch C-Dur oder G-Dur, oder sogar F-Dur oder e-Moll ausgedrückt wird; und die Hinzufügung anderer Töne kann dies Problem klären oder nicht. Auf diese Weise wird ein Zustand der Unruhe, der Unausgewogenheit erzeugt, die fast das ganze Stück hindurch wächst und durch ähnliche Funktionen des Rhythmus weiter verstärkt wird. Die Methode, durch die das Gleichgewicht wiederhergestellt wird scheint mir der eigentliche Gedanke der Komposition. Vielleicht könnte man die häufigen Wiederholungen von Themen, Gruppen und selbst längeren Abschnitten als Versuch zu einem frühzeitigen Ausgleich der innewohnenden Spannung ansehen.
Gerhard Lock: lõik enne seda juhatav seda sisse: Gedanken kann nur achten, wer sie auch hat; aber achten kann nur, wem selbst Achtung gebührt.
Der Unterschied zwischen Stil und Gedanke in der Musik ist vielleicht durch die vorausgehende Erörterung geklärt worden. Dies mag nicht der Ort sein, im einzelnern zu erörtern, was Gedanke an sich in der Musik bedeutet, weil fast jede musikalische Terminologie vage ist und die meisten ihrer Begriffe in verschiedener Bedeutung verwendet werden. In seiner weitesten Bedeutung wird der Begriff Gedanke als Synonym für Thema, Melodie, Phrase oder Motiv gebraucht. Ich selbst betrachte die Totalität eines Stückes als den Gedanken: den Gedanken, den sein Schöpfer darstellet wollte. Aber aus Mangel an besseren Begriffen bin ich gezwungen, den Begriff Gedanke auf folgende Weise zu definieren:
Gerhard Lock: mitu lõiku enne on määratlus: Stil ist die Eigenschaft eines Werkes und beruht auf natürlichen Bedingungen, die den ausdrücken, der ihn hervorbrachte.
Gerhard Lock: Tõlke võrdlus: EE + ENG Gedanken kann nur achten, wer sie auch hat; aber achten kann nur, wem selbst Achtung gebührt. // Ideas can only be honored by one who has some of his own; but only he can do honor who deserves honor himself.
Gerhard Lock: sry SKS + EHG
Gerhard Lock: ENG
Gerhard Lock: Sissejuhatav lause enne seda helide näidet, mida Mart tõi, mis juhatav näpitsa näite sisse: ENG + SKS
Gerhard Lock: I myself consider the totality of a piece as the idea: the idea which its creator wanted
to present. But because of the lack of better terms I am forced to define the term idea in the following manner:
Gerhard Lock: Ich selbst betrachte die Totalität eines Stückes als den Gedanken: den Gedanken, den sein Schöpfer darstellet wollte. Aber aus Mangel an besseren Begriffen bin ich gezwungen, den Begriff Gedanke auf folgende Weise zu definieren:
Gerhard Lock: ENG + SKS veel enne seda: In its most common meaning, the term idea is used as a synonym for theme, melody, phrase or motive.
Gerhard Lock: In seiner weitesten Bedeutung wird der Begriff Gedanke als Synonym für Thema, Melodie, Phrase oder Motiv gebraucht.
Gerhard Lock: lause enne seda: ENG + SKS
Gerhard Lock: This may not be the place to discuss in detail what idea in itself means in music, because almost all musical terminology is vague and most of its terms are used in various meanings.
Gerhard Lock: Dies mag nicht der Ort sein, im einzelnern zu erörtern, was Gedanke an sich in der Musik bedeutet, weil fast jede musikalische Terminologie vage ist und die meisten ihrer Begriffe in verschiedener Bedeutung verwendet werden.
Gerhard Lock: Sellele eelneb: ENG + SKS
Gerhard Lock: Of course an idea is not always the product o f brain-work. Ideas may invade the mind as unprovoked and perhaps even as undesired as a musical sound reaches the ear or an odor the nose.
Gerhard Lock: Natürlich ist ein Gedanke nicht immer das Ergebnis vor Hirnarbeit. Gedanken können den Geist so ungerufen und vielleicht sogar so unerwünscht überfallen, wie ein musikalischer Ton das Ohr oder ein Geruch die Nase erreicht.
Gerhard Lock: Schönbergi ideid: arenev variatsioon, kõlavärvimeloodia, dissonantsi emantsipatsioon, dodekafoonia, Muusikaliste Eraettekannete Ühing, nooditrükimasin
Gerhard Lock: https://www.youtube.com/watch?v=qLIMChEdXUU
Gerhard Lock: Arnold Schönberg: Notenschreibmaschine - Music Typewriter
Gerhard Lock: Pärnu Wikis on ka inglsikeelne tekst lingitud Monoskopist
Gerhard Lock: Style and Idea ma mõtlen...
Gerhard Lock: http://schoenberg.at/index.php/en/schoenberg-2/bildnerischeswerk
Gerhard Lock: Küsin Heie Treieri käest, kas ta saab Schönbergit kui maailikunstnikku käsitleda 13.09 Schönbergi Päeval
Gerhard Lock: Style and Idea 1950 How- ever, such a change became necessary when there occurred simultaneously a development which ended in what I call the emancipation of the dissonance. [p 104]
Gerhard Lock: Style and Idea's on dissonanceist küll juttu 😃
Gerhard Lock: Lk 105: The term emancipation of the dissonance refers to its com- prehensibility, which is considered equivalent to the conso- nance's comprehensibility. A style based on this premise treats dissonances like consonances and renounces a tonal center. By avoiding the establishment of a key modulation is excluded, since modulation means leaving an established tonality and establishing another tonality.
18:46
P 17.3.2024 kell 17.00. Arenev variatsioon[]
Palun osalejatel lugeda Schönbergi raamatust Fundamentals of Musical Composition peatükki III The Motive (lk. 8-15) https://monoskop.org/images/d/da/Schoenberg_Arnold_Fundamentals_of_Musical_Composition_no_OCR.pdf
https://archive.schoenberg.at/writings/transcription.php?action=uebersicht&nurSuchformAktualisieren=&suchformAnker=&volltext_index=zusammenhang&suchbegriff1=title_uniform&suchwert1=&listensuche_1=keyword_rel&lsuchwert_1=&lsuchwert_1Eingabe=&fbclid=IwAR1fKT-bpsE-SpU0N5_HsvtRL-YQZPQ0g3EMIN0hHWMrDhrM4EeZpKbvqV0
17:20
Gerhard Lock:leidsin ZKIFi alt mitmeid asju:
https://archive.schoenberg.at/writings/transcription.php?action=uebersicht&nurSuchformAktualisieren=&suchformAnker=&volltext_index=ZKIF&suchbegriff1=title_uniform&suchwert1=&listensuche_1=keyword_rel&lsuchwert_1=&lsuchwert_1Eingabe=
Gerhard Lock:Leidsime sama 😃
Gerhard Lock:Andrus: Sa näitad praegu 2 ekraani...
Gerhard Lock:piisab tekstist 😃
Gerhard Lock:see Schönbergi detailne motiivide analüüs meenutab paradigmaatilist analüüsi (Natiez'i teooria)
Gerhard Lock:*Nattiez
Gerhard Lock:teine, uuem analüüsija on Adam Ockelford Zygonic theory kontseptsiooniga (avaldatud kuskil 2008/2009 kandis):
Gerhard Lock:ta toob korduste puhul loomulikult ka Schönbergit
Gerhard Lock:"Greek term “zygon” for “yoke”, implying a union of two similar things"
Gerhard Lock:Pappel 2023: "Oma saksakeelsetes kirjutistes ja loengutes kasutas Schönberg esmajoones sõna „mõte” (der Gedanke) ning seda mõnikord ka idee tähenduses. „Idee” oli Schönbergi jaoks midagi abstraktset, sõnastamatut, muutumatut – mõtte abstraktne vorm nagu Platoni idee. „Mõte” seostus konkreetsemalt teosega, oli selle vaimne alus. [1]" [1] Oma tekste hiljem inglise keeles avaldades kasutas Schönberg sõna der Gedanke vasteks the idea. Milliste lahenduste kasuks eesti keeles otsustada, peaks selginema praegu käsil olevast Schönbergi artiklite tõlkest eesti keelde (eeldatav ilmumisaeg 2024).
Gerhard Lock:"Kolmas mõiste, mida Schönberg oma arutlustes idee ja mõtte üle kasutas, oli „äkkmõte” (der Einfall) ehk inspiratsioon. Siiski ei eristanud Schönberg neid mõisteid rangelt, vaid liikus üsna vabalt ühelt tasandilt teisele (Brown 2018 (2014): 178–179).
Gerhard Lock:Torkab silma, et varasemates kirjutistes huvitas Schönbergi rohkem mõte selle konkreetsemas tähenduses, hiljem aga idee abstraktsuse küsimus – kas idee suudab midagi kujutada ja väljendada (samas: 181)."
Gerhard Lock:Jack Boss (2000/2001) The "Musical Idea" and Global Coherence in Schoenberg's Atonal and Serial Music "He referred to his notion as the musikalische Gedanke, which is
usually article are to
comments about and
of "musical idea" as a framework for a music scholars' descriptions translated as "musical idea." The main of purposes my survey Schoenberg's present-day tonal composition,
and then to determine how this be concept may
atonal and serial music (here, too, to a lesser degree, I will be building on the work adapted
to serve as a framework in Schoenberg's of
others)."
Gerhard Lock:"In the theme, however, the of unrest that is achieves formulation. This means that as the theme problem
present
in the motive or
the fundamental
presents gestalt
a number of transformations (variations) of the motive, in each of which
the is but problem present always
in a different manner, the tonic is
- contradicted anew and
yet, through rounding
off and through continually unification an state of rest" is established, beneath which the unrest continues."
Gerhard Lock:"Throughout describe his own his career, to formulate and Schoenberg struggled to which a tonal precepts according composition asserted that these could
grow organically, and continually Integral should also be to his atonal and serial music. applicable principles
He referred to his notion as the musikalischeGedanke,which is usually translated as "musical idea."
Gerhard Lock:andeks: kopeerimine Bossi artiklist on segane, tuleb lugeda artiklit ennast, kõik on pärit artikli algusest...
Gerhard Lock: https://www.diva-portal.org/smash/get/diva2:310395/FULLTEXT01.pdf
Gerhard Lock:Developing Variations
An Analytical and Historical Perspective
Berk Sirman 2006
Gerhard Lock:Uppsala universitet
Gerhard Lock:Abstract:
Gerhard Lock:Developing variations is a term by Arnold Schönberg that is coined to describe constant modification of motives and ideas in a theme, or possibly throughout the whole work. This is thought to be superior to exact repetitions. Developing variations was used by Schönberg to analyze the music of Brahms, whose compositions represented the most advanced form of developing variations. This paper investigates the analytical grounds of developing variations and historical criticisms against it, mainly on the charge of anachronism. Historical criticisms are valid, but developing variations is analytically sound nevertheless. Therefore it is not undermined by such criticisms.
Gerhard Lock: https://www.erudit.org/en/journals/cumr/1997-v17-n2-cumr0494/1014783ar.pdf Self-Similarity and Compositional Strategies in the Music of Milton Babbitt
John Cuciurean 1997
Gerhard Lock:Article abstract. The unfolding of a compact algebraic group into a larger structure which exhibits an isomorphic relationship with the smaller group is the essence of "self-similarity." Through the use of transformational networks which take advantage of the group properties of the forty-eight canonical operators and through the examination of the hexachordally combinatorial properties of Babbitt's row forms, this paper examines the manner in which Babbitt selects and combines rows to produce maximal diversity on the surface while optimizing internal coherence at the deeper structural levels. This study focuses on three works that cover straightforward serial structures, simple array structures and superarray structures respectively — Babbitt's three main compositional strategies.
Gerhard Lock:Uuslihtsus?
Gerhard Lock:Uustonaalsus?
Gerhard Lock:Sonorism
Gerhard Lock: https://online.ucpress.edu/jm/article-abstract/14/3/370/63240/What-s-in-a-Motive-Schoenberg-and-Schenker
Gerhard Lock:What's in a Motive? Schoenberg and Schenker Reconsidered
Pieter C. van den Toorn 1996
Gerhard Lock:Mis on Ligeti mikropolüfooniaga?
Gerhard Lock:Kristel on kõige aktuaalsem 😃
Gerhard Lock:eesti keeles 😃
Gerhard Lock:olen kuuldel, aga mikrit ei saa sisse panna hetkel
Gerhard Lock: https://kclpure.kcl.ac.uk/portal/files/2929772/296129.pdf
Grundgestalt, developing variation and motivic processes in the music of Arnold Schoenberg : an analytical study of the string quartets.
Collisson, Stephen J
Gerhard Lock:1994
18:59
P 7.4.2024 kell 17.00. Dissonantsi emantsipatsioon[]
Gerhard Lock Gerhard Lock says:Style and Idea: lk 105 Gerhard Lock says:The term emancipation of the dissonance refers to its com- prehensibility, which is considered equivalent to the conso- nance's comprehensibility. A style based on this premise treats dissonances like consonances and renounces a tonal center. By avoiding the establishment of a key modulation is excluded, since modulation means leaving an established tonality and establishing another tonality. Gerhard Lock says:The first compositions in this new style were written by me around 1908 and, soon afterwards, by my pupils, Anton von Webern and Alban Berg. From the very beginning such com- positions differed from all preceding music, not only harmonic- ally but also melodically, thematically, and motivally. But the foremost characteristics of these pieces in statu nascendi were Lheir extreme expressiveness and their extraordinary brevity. At that time, neither I nor my pupils were conscious of the reasons for these features. Later I discovered that our sense of form was right when it forced us to counterbalance extreme emotionality with extraordinary shortness. Thus, subconsci- ously, consequences were drawn from an innovation which, like every innovation, destroys while it produces. New color- (ul harmony was offered; but much was lost. Gerhard Lock says:lk 104/105 Gerhard Lock says:What distinguishes dissonances from consonances is not a greater or lesser degree of beauty, but a greater orlesser degree of comprehensibility. In my Harmonie/ehre I presented the theory that dissonant tones appear later among the overtones, for which reason the ear is less intimately acquainted with them. This phenomenon does not justify such sharply con- tradictory terms as concord and discord. Closer acquaintance with the more remote consonances-the dissonances, that is- Gerhard Lock says:gradually eliminated the difficulty of comprehension and finally admitted not only the emancipation of dominant and '1ther seventh chords, diminished sevenths and augmented lriads, but also the emancipation of Wagner's, Strauss', Moussorgsky's, Debussy's, Mahler's, Puccini's, and Reger's rnore remote dissonances. Gerhard Lock says:lk 105 jätk Gerhard Lock says:Formerly the harmony had served not only as a source of beauty, but, more important, as a means of distinguishing the features of the form. For instance, only a consonance was considered suitable for an ending. Establishing functions de- manded different successions o f harmonies than roving functions; a bridge, a transition, demanded other successions than a codetta; harmonic variation could be executed intelli- gently and logically only with due consideration of the funda- mental meaning of the harmonies Gerhard Lock says:seda võib ka pärast vaadata Gerhard Lock says:räägi hetkel sina Hans Gerhard Lock says:siis haagime seda Schönbergiga Gerhard Lock says:Kui arvestada dodekafoonias kõikide heli võrdsusest, siis ei ole ka enam intervallid eristatud/eelistatud vanas stiilis... Gerhard Lock says:roughness 17:26 me says:Harmonielehre https://vmirror.imslp.org/files/imglnks/usimg/3/37/IMSLP90983-PMLP186880-Schoenberg_-_Harmonielehre_(3rd_ed.).pdf 17:32
Mart Jaanson Mart Jaanson says:👏 Mart Jaanson says:👏 Mart Jaanson says:👏 19:16
Gerhard Lock Gerhard Lock says:https://www.americanacademy.de/event/the-curious-case-of-trautonium-and-the-early-years-of-electronic-music/ Gerhard Lock says:YT link https://www.youtube.com/watch?v=zyl5unZMxuU Gerhard Lock says:https://muse.jhu.edu/pub/263/oa_monograph/chapter/2274563/pdf
P 21.4.2024 kell 17.00. Schönbergi kompositsiooniõpetus[]
Eellugemist: Arnold Schönberg. Zur Kompositionslehre https://drive.google.com/file/d/1rgUi7X0Qdj-GJDl75JEHcZ1R79EbOLob/view?usp=sharing
https://drive.google.com/file/d/1rgUi7X0Qdj-GJDl75JEHcZ1R79EbOLob/view?usp=sharing 16:40
Gerhard Lock Gerhard Lock says:https://www.musiklexikon.ac.at/ml/musik_S/Satzlehre.xml Gerhard Lock says:https://www.jstor.org/stable/20796970 SCHOENBERG'S CONCEPTS OF "KOMPOSITIONSLEHRE" (1904-1911) AND THE NINETEENTH-CENTURY GERMAN TRADITION Ulrich Krämer Revista de Musicología Vol. 16, No. 6, Del XV Congreso de la Sociedad Internacional de Musicología: Culturas Musicales Del Mediterráneo y sus Ramificaciones: Vol. 6 (1993), pp. 3735-3753 (19 pages) Published By: Sociedad Española de Musicología (SEDEM) https://doi.org/10.2307/20796970 Gerhard Lock says:https://www.sedem.es/upload/revista/37.%20Vol%20XVI%20n%C2%BA6_037.pdf Gerhard Lock says:Täistekstile kahjuks hetkel ligi ei saanud... 17:39
Mart Jaanson Mart Jaanson says:👏 17:49
Jaagup Jaagup says:Millest te räägite? 18:02 me says:Kerkokell Nii vaikse kodokülä talo, kui undse Vooremäe pääl. Teed kabelihe üle palo lää lõunevahel lämmäl sääl. Oh kuule: kerkokellä lüvväs, see lööja om su oma lell! Heng niikui taiva poole püvväs, nii rasselt kaibap, ikep kell. Om asja ilman imelise, teed toda kävven mõtli ma: sääl saatva kooljat peijelise, siin jooksva latse lustiga! Om asja ilman imelise, nii jäi ma veelgi mõtlema: sääl hauda kandva inemise, siin mõteten veel astu ma! Kõrd, talvel, kerkokellä löödi ja lööja olli oma lell. Mo emä aus sis joodi, söödi – see mälestüs om mulle hell. Ma tulli, kui so vaene korjus jo külmän lautsin magasi. Maa pääl kui lõpnu oll’ so orjus, so emäs võitsi tagasi. Es kaiba enämb huule hätä ja kadonu so tõbe lõhn. Nii rahulik ja uhke nätä so nägo olli kirstun kõhn. Oh kuule: kerkokellä lüvväs, see lööja om so oma lell! Heng niikui taiva poole püvväs, nii rasselt kaibap, ikep kell. So käe oma ohtjit kaknu ja sälgä tõstnu toobripuud. So kässi lehmä, peni laknu, so oma poig es anna suud. Poig harva üle kodo läve so manu jõudse kooli teelt. Sis tuuli, pilvi perän käve, es kuule emä lihtsat meelt. Kui imelik: om armastanu nii kavva, kavva emä arm. Kui valulik: veäp havva manu liig hilda elo saatus karm! Kõrd, talvel, kerkokellä löödi ja lööja olli oma lell. Mo emä aus sis joodi, söödi – see mälestüs om mulle hell. So havva päitsin orjavitsa nüüt kate puu all häitsevä. So poja tee om ollu kitsa, vast laja küll na näitsevä. Kas kõrd ka kerkokellä lüvväs? – ei löö vist enämb oma lell! Kas kõrd mo aus ka juvvas, süvväs – oh kerkokell, oh kerkokell! Gustav Suits Tartumaa Suits, Gustav, „Luule“. – Tallinn: Eesti Raamat, 1992, lk 143–145 18:10
Gerhard Lock Gerhard Lock says:https://en.wikipedia.org/wiki/Rondeau_(forme_fixe) Gerhard Lock says:https://en.wikipedia.org/wiki/Rondo Gerhard Lock says:https://courses.lumenlearning.com/suny-musicapp-medieval-modern/chapter/rondo-form/ Gerhard Lock says:https://www.andrew.cmu.edu/user/johnito/music_theory/Form/Form4lrgr/Rondo.pdf Gerhard Lock says:https://musictheory.pugetsound.edu/mt21c/RondoForm.html Gerhard Lock says:https://www.britannica.com/art/formes-fixes Gerhard Lock says:https://www.collegesidekick.com/study-guides/sac-music101/rondo-form Gerhard Lock says:viimases lingis on üks lõik selline: In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation. Gerhard Lock says:https://kultuur.postimees.ee/4037373/arvo-part-meenutab-oma-opetajat-heino-ellerit Gerhard Lock says:Tekst on avaldatud Heino Elleri autoriplaadi «Neenia» bukletis (ECM 2011) ja Enzo Restagno raamatus «Arvo Pärt peeglis» (Eesti Entsüklopeediakirjastus 2005).
P 5.5.2024 kell 17.00. Verein für musikalische Privataufführungen | Muusikaliste Eraettekannete Ühing[]
Eellugemist: Alban Berg 1919. Prospekt des Vereins für musikalische Privataufführungen https://drive.google.com/file/d/1oVG_SUHOn9_UKvPyMsxeFCxxitUxqyGL/view?usp=sharing
Muusikaliste Eraettekannete Ühingu dokumente: https://drive.google.com/drive/folders/1ynkC-wb5UBRkkPrARPEhe9sKJ3zfqLxN?usp=sharing
Suvi 2024[]
L 29.6.2024[]
- Mustjala kirik (Saaremaa). Mustjala festival. Kammerorkester ME106, dirigent Andrus Kallastu. Kavas Arnold Schönberg "Kirgastunud öö"
Sügis 2024[]
R 13.9.2024[]
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